Sarah’s beautifully intricate designs take papercutting to a whole new level; she has worked with top clients such as Tatler, The Guardian, and BBC Four, published books, including Papercut Woodland and Paper Plants, and shares her skills via workshops. We discover what she loves most about this versatile technique.

What inspired you to learn papercutting?
Since I can remember, I have loved paper. This stemmed from a fascination with old books, letting my senses be absorbed by the historical pages and textures. I collected patterned, coloured and vintage papers, and when I started my illustration practice, I incorporated them into my work. Later, I studied paper art and developed a love for Asian artwork, from Japanese prints to Chinese papercuts. I started to add intricate detail to my work, experimenting to create my own unique style, inspired by ancient paper masters.

How do you approach a new project?
Depending on how much time is available, I love to visit inspiring places, take lots of photos and use them to build a mood board in my studio. Once I have immersed myself in the themes of a project, I sketch out compositions which are refined with increasing detail. Then the fun of papercutting begins.

Which tools and papers are your favourites?
I use Excel blades and craft knives. I was given some to try recently and found that the blades lasted longer, while the weight and comfort of the knives are very good. My favourite paper brand is G.F Smith, as they have a lovely range of colours, perfect for paper art.

How does your day take shape when you are in creative mode?
After dropping my daughter off at nursery, I cycle to my studio, a lovely little space in Stokes Croft, Bristol. First, I try to get all the not-so creative items ticked off the list, such as emails, social media and planning. I have two full days in my studio per week, so I like to make the most of my time. I set myself tasks that need to be achieved, line up a good book or album to listen to, and get out my tools and papers. I then put away any distractions to get into the creative mode and enjoy what I do best.

What is most satisfying about running workshops?
I love seeing people get the same level of enjoyment out of papercutting that I do. I feel incredibly lucky that this skill has become a career for me. The process is very meditative and therapeutic; it clears your mind, sharpens focus and provides a sense of achievement. It’s a real pleasure to share this craft with others.

Name the proudest moment in your career so far.
Creating a short trailer for BBC Four; the video was aired throughout their craft season. They recorded a full-day’s work and compressed it into 40 seconds of footage. It was amazing to see my work and process sped up on national television!

Can you give your top tips for budding papercrafters?
Invest in good tools and paper, then find your own unique language to create artwork. Enjoy the process, take your time and don’t question yourself. CB